Saturday, July 10, 2010

The Jesus and Mary Chain - "Psychocandy"



Its hard to describe this album without falling to ridiculous hyper-bole, but I will try.
Few people have ever been able to tap the conscience of man like this band. Without trying to hard or to little, this album was -and still is- incredible, blunt, raw, and yet still earnestly refined. The lyrics continue to intigue me; its the kind of stuff I could comfortably read as written poetry as well as lyrics. "Too many things move fast, I can;t quite get a grip at last" they sing on my favorite track, "Taste the Floor." And it honestly leaves me speechless, how they are able to say so much while still saying so little. Soundwise, this album is a slightly surreal blend of alt and post punk, playing a fuzzed out wall of noise that is controlled by ingenious melodies well hidden underneath all the chaos. This is an amazing album, I hope you love it.

1."Just Like Honey"
2."The Living End"
3."Taste the Floor"
4."The Hardest Walk"
5."Cut Dead"
6."In a Hole"
7."Taste of Cindy"
8."Never Understand"
9."Inside Me"
10."Sowing Seeds"
11."My Little Underground"
12."You Trip Me Up"
13."Something's Wrong"
14."It's So Hard"


DL Link here!

Wednesday, July 7, 2010

This Bike Is A Pipe Bomb - Front Seat Solidarity



So you may be wondering where the image above came from! Well, a young adult in europe came under criminal investigation when his bike was seen to have a sticker labelled "this bike is a pipe bomb" on the body. Turns out this kid wasn't a terrorist in hiding, he was just a bike riding free soul with great taste in music! Thats his bike above!
As for the band This Bike Is A Pipe Bomb, they are jim dandy amazing. Rootsy folk music with punk energy and songs sung straight from the heart, they are my kind of band! The optimism of this prevails in every single track they write as they cover topics such as cops, unity, being married, being drunk, and everything that lies between in the cracks of the soul. Think a more optimistic Against Me, or Defiance Ohio! Throw these folks on and ride your bike, inhale fresh air, take a look at this wonderful life we lead!

1. "This Is What I Want"
2. "Selma"
3. "Body Count"
4. "Trains & Cops"
5. "Mouseteeth"
6. "A Hundred Dollars"
7. "Depression"
8. "The Arguement"
9. "Drunk Punk"
10. "Grampa"
11. "Board Of Tourism"


DL Link here!

Monday, July 5, 2010

Massgrave/Stormcrow Split



Fuck do I love Massgrave. Straight outta Vancouver, the incredibly tight brand of blackened stoner crust grind punk they play just gets me amped everytime I hear it! and this split DESTROYS.
The Massgrave portion of this split is an assault on the ears, and I mean that in the best possible way. Putrid and disgusted lyrics with contrasting howls and growls set to a hell shaking blend of blast beats, breakdowns, and brick walls of distortion. But what sets Massgrave aside from many crust/grind bands is not only the level of production and timing they put into there music, but one simple element that many grind bands miss out on; melody. Heavy and rotten as it may be, there's a discernible melody to every Massgrave song that you can hum along to and my friends, that is what kicks them up a notch. Whiplash inducingly fast and evil as hell, this band is amazing.
If Massgrave is the atom bomb, Stormcrow is the mushroom cloud, slowing things down but in no way letting up on your ear drums. I had never heard of Stormcrow prior to this split but I sure wish I had. Atmospherical heavy and crushing beats, this is stench core at its finest, taking you places you never wish you had gone. Like Amebix taken even heavier, Stormcrow plays encrusted music that calls to mind wastelands and loneliness. Contrasting the one or two minute blasts of noise that Massgrave has so perfected, Stormcrow prefers instead to drag you through the dirt rather then shove your face in it. "Poisoned Minds" in particular lulls to you an uncomfortable place, before kicking it up 20 notches. Stormcrow is dirty and rotten and I can't get enough of it.
Crust splits sometimes lack variety, but this is as good as it gets. Two perfectly contrasting bands, lyrics of hatred and despair, killer timing and brutal guitar work... this split is a must have. I hope you dig it!

MASSGRAVE

1. "At What Cost?"
2. "Only Your Mind Makes You free"
3. "Blind Folded Conscience"
4. "Corruption of Innocence"
5. "Suffering Until Death"
6. "Unconsciously Mundane"
7. "Get Over Yourself"
8. "Corporation Mind Control"
9. "Q: Landfill? A: Landfill!"

STORMCROW

1. "Poisoned Minds"
2. "Lost Hopes"
3. "The Science of Tyranny"

DL Link here!

The Ruts - "The Peel Sessions"



Henry Rollins once did a spoken word piece about how The Rut's affected him as a kid, about how song titles like "In a Rut" appealed to him as a dissaffected youth. I couldn't agree more, and adding on to that, The Ruts were one of the most criminally underrated punk bands of the 70's and 80's! Accused of being a carbon copy Clash, The Ruts found mainstream success to be elusive but I truly do not know why. The lyrics are so relevant, the instruments are so crisp and intricate yet sensible, energetic, and melodic! Yes, there is an obvious Clash influence here, but saying that a punk band is influenced by the Clash is like saying you were influenced by oxygen. Dig this great, great album and stare at the rude boys all night long!
(PS, Henry Rollins performed with The Ruts a few years ago, sitting in for the long deceased vocalist! Look it up on youtube, it looked like such a great show)

1. "Savage Circle"
2. "Babylon's Burning"
3. "Dope For Guns"
4. "Black Man's Pinch"
5. "Criminal Mind"
6. "Sus"
7. "Society"
8. "Your Just a..."
9. "It Was Cold"
10. "Something That I Said"
11. "Staring At The Rudeboys"
12. "Demolition Dancing"
13. "In A Rut"
14. "Secret Soldiers"


DL Link here!

Cymbals Eat Guitars - "Why There Are Mountains"



This little gem of lo-fi, shogaze, and indie is a treasure to behold. I learned of CEG through an interview with the lead singer of Titus Andronicus and the melodically driven wall of noise that they play has had me hooked since the moment I first heard it. At time's delirously happy and at others just plain weird, "Why There Are Mountains" is an album perfect for contemplation... or a good walk. It can be backround music, or it can be truly dissected and appreciated. The lyrics are gloriously trippy, the textures are softened yet hard, and the sound bounces happily between walls of noise and rushes of melody. This is such a cool album, and I hope you like it.

1. "And The Hazy Sea"
2. "Some Tree's"
3. "Indianna"
4. "Cold Spring"
5. "Share"
6. "What Dogs See"
7. "Wind Phoenix"
8. "The Living North"
9. "Like Blood Does"


DL Link here!

Sunday, July 4, 2010

Bolt Thrower - "In Battle There Is No Law"




Bolt Throwers debut and my favorite album by them,"In Battle There Is No Law" is a great, great listen. Retaining elements of death metal while still blending in some crust punk and even grindcore elements, it's a great gateway drug if your just getting into death metal.

1."In Battle There Is No Law"
2."Challenge for Power"
3."Forgotten Existence"
4."Denial of Destiny"
5."Blind to Defeat"
6."Concession of Pain"
7."Attack in the Aftermath"
8."Psychological Warfare"
9."Nuclear Annihilation"


DL Link here!

pop music rant!



I'm really not a fan of the absolute spectacle that has become pop music. No longer is it acceptable to get up on a large, televised stage and rock out in jeans and a shirt unless your Bob Dylan; some sort of visual stimuli seems to be the norm now, as our culture has shifted to absolute opposition of merely "listening" to music. Now, we need shiny things. Now, we need a huge lighting show, costumes, fake blood and guts and plastic dongs to captivate an audience. Dancers, revolving stages, fog machines, sets, makeup, giant swings, its a circus I swear!
It has come to the point where I feel like I am watching really bad theatre and to me, really bad theatre is when a connection can't be made. I see all this nonsense and I honestly feel such a disconnect from the stage, a disconnect that cannot and will not be bridged by a bucket of fake bile and piss being dumped on my head. (thank you, Gwar.)
The fact is that none of this seems to be happening to me. As a spectator, I feel like just that; a spectator, not participating in something special as an showgoer should feel. Yes this spectacle is being presented to me and yes, its flashy. Yes, I am being drenched in it. But its also the result of hollow mountains of money, inflated ego's and my friends, there is a mile of distance between my mind and that reality.
This is why I go to live theatre. No other art form is able to so viscerally hold up a mirror to the human condition, to take everything you don't want to look at and put it on a stage in front of you. An actor looks you right in the eye, and connects with you. Capture that element and I will play along with any sort of setting or theatricality. However, what happens when all the pomp and circumstance is presented without that element of connection? You get Lady Gaga swinging around on a giant fucking sling on the television like the Looney Toons Coyote, Gwar's aforementioned assault of fecal matter, U2 dropping $750 000 a show to surround the audience in some big fucking claw thing (pictured above), and the soulless carnival that is a live KISS show.
With the possible exception of bands like Tool, or Coil who use such stage elements to add to the music and artistry, it is all a purposeless sham which does nothing but drive me away from the tune being sung to me.
I go to live shows not to be thrown into some world of empty noise and dazzling lights. In fact, I would take a musty bar over an intricate light show any day. No, I see music live to be captured in the energy and emotion of the musician, and in the case of more artistic bands, to witness how they express themselves. When those live stage elements compliment the lyric, empower the music, and stimulate the mind, it is such a beautiful thing.
But why not simply trust in the music alone! If your music is truly heartfelt, all the glitz and glamour is truly unneeded. All you have to do to make an impression on losers like me is rock your damn heart out, and mean it! Get the crowd moving and grooving, play straight from the heart, and mean every single lyric you sing, while taking comfort in the fact that your lyrics can actually be focused on without a layer of makeup obscuring your face.
As I have belaboured before, its all about honesty. Just play your music, and let the audience be captured by it's brilliance alone rather then shiny packaging and blinding lights.